Jason Becker

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Danger, releasest the follow up to 2002's release "That Was Then, This Is Now", entitled Resolution. Timmons, alongside bassist Mike Daane and drummer Mitch Marine round out the band lineup. Recorded in
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Apparently nothing -- not punk, not grunge, nor any other movement based on the virtues of either economy or primitivism -- can kill the guitar god. There's just too much mythology woven into the idea of the nimble-fingered whiz standing heroically and playing faster than anyone outside of the
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21 rare and unreleased tracks spanning 1988 to 1994, the same period that covers ear X-tacy, ear X-tacy 2, and the Orange Swirl recordings. An unbelievable gathering of high-energy Andy songs, plus 2 killer Jimi Hendrix covers.
Both discs showcase the prolific interplay of the classic Andy Timmons Band line-up, featuring Mike Daane on bass and Mitch Marine on drums. Also included is a beautiful 24-page booklet jam-packed with photos of Andy and band from the early days, along with detailed liner notes. A very cool release that should not be missed !
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"The Spoken and the Unspoken" is considered by many to be Andy's best work to date, with lots of classics-in-the-making. The disc features 8 instrumental and 3 vocal tunes.
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Andy's 1997 follow-up to the popular Ear X-tacy CD features more classic instrumental songs in addition to Andy's vocal debut on 6 tracks. The powerful Night to Remember, heavy-grinding Wishing Well, and the neo-classical classic Groove or Die only begin to shed light on Andy's wide-ranging musical agenda. This CD highlights a natural evolution in Andy's writing and arranging.
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Andy's alter-ego blues band you can often hear kickin out the jams on Wednesdays at the Blue Cat Blues, when Andy is home in
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Setelah Lepas dari grup band pertamanya DANGER DANGER, Andy's memulai debutnya pada tahun 1994 dimana dia memulai karirnya dgn aliran underground guitar classic. beberapa tahun kemudian,bersama BAND pertamanya yg diberi nama Andy Timmons Band.
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It's no secret that the time gap between albums by guitarist Eric Johnson is on par with such notorious 'hibernators' as
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Austin, TX-based guitar hero Eric Johnson is recognized as a perfectionist. He takes great care honing his sound. Along with that, the artist doesn't rush his album releases, as this outing signifies previously undocumented material spanning 25 years. Johnson's intent here is to provide his fans with an album available solely through his website. The artist states in the liners: "The thought came up of having occasional Internet releases. They would be issued as an interim series between regular studio releases." To that end, these tracks are surprisingly good, especially when considering that the bulk of this archival material consists of demos, incomplete ideas, and so forth. The majority of this affair highlights the guitarist's understated vocals atop his soaring lead lines and much more. On the piece titled "Space of Clouds," Johnson minces softly stated vocals with a Hendrix-like wailing guitar motif and his nimbly articulated fretwork. Johnson provides a narrative on a per track basis, and in this instance, added a synth overlay specifically for this album. Other highlights include the band's rocking version of the Beatles' "Paperback Writer," complete with Johnson's phased electric guitar choruses. The guitarist's longtime bandmates, bassist Chris Maresh and drummer Tommy Taylor, appear on most of these works, consisting of warm ballads, boogie rockers, and a memorably melodic pop/rock work titled "
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A rare find for fans of this acclaimed guitarist/songwriter, Seven Worlds is the long-lost solo debut from Eric Johnson. Cut in the late '70s, this album is far more than a promising collection of demos; it's a full length, fully-produced album that showcases all of Johnson's awesome talent -- not only as a guitar virtuoso, but as a talented pop/rock songwriter. Tunes such as "Showdown" clearly indicate the talent that Johnson had, even at this early stage. A classy false start to a great career, and a must for fans of Eric Johnson.
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Eric Johnson is notorious for his perfectionism, but the six-year wait between his breakthrough Ah! Via Musicom and its follow-up Venus Isle seems a little extravagant, especially considering the resulting album. In six years, it could be assumed that an artist would undergo a number of different phases, exploring several different musical genres and textures. Johnson didn't spend his six years exploring -- he spent them refining. Venus Isle reveals no new insights about the guitarist, it only offers a new spin on the territory Ah! Via Musicom covered. In one respect, this isn't a bad thing. Johnson is a consummate guitarist, pulling out tones and licks from his instrument that no other musician can quite match. It is a joy to hear him play, but Venus IsleVenus Isle would have been a perfect follow-up if it had been released in 1992 or 1993, but it has to rank as a disappointment, no matter how enjoyable portions of it are.
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After being overlooked on his debut, Tones, guitarist Eric Johnson burst onto the airwaves with the surprising hit "Cliffs of Dover." Armed with excellent chops and a clear tone, Johnson took a tired formula and made it sound fresh again. Despite his talents on the fret board, he plays with great restraint and chose to explore a variety of styles, including rock, pop, blues, country, and jazz. While his singing is not quite as interesting as his guitar playing, it is not obtrusive and is at times quite pleasing. This recording has reached near-classic proportions within the guitar community.
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